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Table 1 List of statues analyzed and history of their treatments

From: Brownish alterations on the marble statues in the church of Orsanmichele in Florence: what is their origin?

Statue

Bronze-like patina

Physical/ mechanical

Chemical

Molding

Madonna della Rosa attributed to Simone di Ferrucci 1399

No

Dusting with brushes.

Poultices with anion-exchange resins. Cotton swabs with turpentine in areas with gilding. Final coating with microcrystalline wax.

Fluoroelastomer Akeogard CO 10% in acetone (protective barrier), microcrystalline wax (detaching material), silicone rubber to take the mold. Gilding areas protected with microcrystalline wax.

S. Eligio by Nanni di Banco ca.1417-1421

Yes

Air-abrasive with aluminum oxide powder.

 

Unknown (old treatment)

San Giacomo Maggiore by Niccolò di Pietro Lamberti ca. 1414

Yes

Air-abrasive with aluminum oxide powder.

Sepiolite poultice with ammonium carbonate in some areas. On the back, poultice with distilled water.

As for Madonna della Rosa

San Filppo by Nanni di Banco 1410

Yes

Air-abrasive with aluminum oxide powder. Gilded areas: Laser Nd:YAG (1064 nm) and Nd:YAP (1340 nm).

 

As for Madonna della Rosa

Quattro Santi Coronati by Nanni di Banco ca.1409 – 1417 (group of four statues)

Yes

Final cleaning of non-gilded areas with rotating siliconic device. Gilded areas: Laser Nd:YAG (1064 nm) and Nd:YAP (1340 nm).

Poultice with 7% aqueous EDTA (slightly alkaline pH, 40 min-24 hrs). Deionized water.

As for Madonna della Rosa

San Pietro attributed to Filippo Brunelleschi ca. 1421

Yes

Air-abrasive with aluminum oxide powder.

 

As for Madonna della Rosa

San Marco by Donatello ca. 1413

Yes

Air-abrasive with aluminum oxide powder.

Sepiolite poultice with ammonium carbonate in some areas. On the back, poultice with distilled water. Gilded areas: silica gels with sodium carbonate, poultice with ammonium carbonate. Consolidation with methyl organo-silicone resin (Rhodorsil 4673) in limited areas.

As for Madonna della Rosa