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1
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“The Opera Singer Christoffer Hvid”, Bendz, W. 1825–27, 38.5 × 31 KMS3262
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Previous conservation: 1913 glue–paste lined and new stretcher; 1964 wax–resin lined. Glue–paste residue and traces of paper are probably from the glue–paste lining from 1913
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2
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“The Artist’s Sisters Signe and Henriette Reading a Book”, Constantin Hansen, C.C., 1826, 65.5 × 56.0, KMS3004
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Restored (method unknown) 1910, cleaned and “steamed” 1944, wax–resin lined 1963
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3
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“The Vesta Temple in Rome”, Constantin Hansen, C.C. 1837, 75.5 × 100.0, KMS1072
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Wax–resin lined in 1963. This painting was painted in Italy
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4
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“A View from the Château of Meudon”, Eckersberg, C.W. 1813, 55.5 × 71.0 KMS1623
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The painting was glue–paste lined in 1899 and wax–resin lined twice in the 1960s due to severe cracking. The red ground layer has poor adhesion to the canvas
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5
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“A Russian Fleet at Anchor near Elsinore”, Eckersberg, C.W. 1826, 31.5 × 59.0 KMS1671
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1901: new stretcher; 1912 cleaned; 1964 wax–resin lined (no previous lining)
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6
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“The Russian Ship of the Line “Asow” and a Frigate at Anchor in the Roads of Elsinore”, Eckersberg, C.W. 1828, 63.0 × 51.0 KMS608
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1906: yellow varnish possibly removed. Wax–resin lined 1963, no previous lining, good condition
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7
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“Nude Figure Sitting Boy” Købke, C.S. 1833, 58.3 × 48.7 KMS6177
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The painting was wax–resin lined in the 1960s, but the detailed written report disappeared from the conservation archive
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8
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“Portrait of the Decorative Artist G.C. Hilker”, Købke, C.S. 1837, 65.0 × 54.5 KMS1081
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The painting was wax–resin lined 1963/64 and had no previous lining. There is an extensive crack pattern in the painting surface
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9
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“A Croft at Lodskov near Vognserup Manor, Zealand”, Lundbye, J. Th. 1847, 71.0 × 93.0, KMS1644
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1963: wax–resin lined
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