Fig. 5From: Revealing Gauguin’s practice: multi-analytical approach of the Portrait de Suzanne BambridgeDetail of the red cloth, in the middle of the blue dress, showing at least three distinct paint layers; a sparse greyish layer (based on Prussian blue and lead white), a flaking red layer (containing wax, a red lake, probably Alizarin, Vermillion and lead white), and a light pink underlayer (involving Geranium Lake, Vermilion and lead white)Back to article page