Fig. 5From: Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysisPaint cross sections from an orange-red highlight added in the second stage to David’s right sleeve behind the harp (sample ×25), and from an orange-red brushstroke of the first stage of David’s left sleeve (sample ×26). a Sample locations. b (sample ×25) and c (sample ×26) Light microscopic image, dark field, photographed at 500×. d (sample ×25) and e (sample ×26) corresponding SEM backscattered-electron images and EDX maps of iron, mercury and barium (light microscopic images taken by Susan Smelt, Mauritshuis)Back to article page