Fig. 2
From: Discovery and material study of the missing feet part from Magritte’s L’évidence éternelle of 1954
L’évidence éternelle. a L’évidence éternelle, 1930, oil on five canvases, 22 × 12, 19 × 24, 27 × 19, 22 × 16, 22 × 12, RMCR \(\hbox {n}^\circ \, 327\) [10] ©Charly Herscovici, Belgium. b L’évidence éternelle, 1948, oil on five canvases, 25.5 × 19.5, 19.3 × 32, 27 × 20.2, 20.5 × 26.6, 26 × 18, RMCR \(\hbox {n}^\circ \, 640\) [11] ©Charly Herscovici, Belgium. c L’évidence éternelle, 1954, oil on canvases, 20.5 × 15.6, 16 × 28, 21 × 20, RMCR \(\hbox {n}^\circ \, 807\) [4] ©Charly Herscovici, Belgium