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Table 1 Micro-samples of ultramarine-containing paints in Girl with a Pearl Earring

From: Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring

Sample number/type/location

Analyses

Stratigraphy and pigments

23 Cross-section

Lower right edge of the blue headscarf

Sampled and analysed 1994 [6]:

    LM

    SEM–EDX

Photographed 2008

Analysed 2018:

    LM

    SEM–EDX

Blue paint layer: ultramarine, chalk, (possibly very tiny amount of) lead white, indigo (from background glaze [9])

Black underlayer: mainly charcoal black

23 Unmounted fragment

Lower right edge of the blue headscarf

Sampled 1994

Analysed 2018:

    UHPLC-PDA-FLR

Organic components: indigo, unidentified yellow components

41 Cross-section

Dark blue in shadow on right of headscarf

Sampled and analysed 2018:

    LM

    SEM–EDX

    µ-FTIR-ATR

    Synchrotron µ-XANES/µ-XRF

Thick blue paint layer (up to 70 µm): ultramarine, chalk, lead white, red lake, gypsum

Black underlayer (incomplete): mainly charcoal black

42 Cross-section

Bright blue in shadow on right of headscarf

Sampled and analysed 2018:

    LM

    SEM-EDX

    µ-FTIR-ATR

    Synchrotron µ-XANES/µ-XRF

Thin blue paint layer (c. 10 µm thick): ultramarine, chalk, lead white, red lake, gypsum

Thin black underlayer (c. 10 µm thick): charcoal black, chalk, gypsum, a few aluminium-containing particles, palmierite (degradation product)

Ground (up to 50 µm thick): chalk, lead white, earth pigments, fine carbon black

14a Dislodged unmounted fragment

Precise original location unknown: probably from the shadow of the Girl’s clothing

Sampled 1994

Analysed 2018:

    UHPLC-PDA-FLR (to compare organic components with those found in the headscarf)

Organic components: American cochineal