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Fig. 1 | Heritage Science

Fig. 1

From: Alexander Calder’s Half-Circle, Quarter-Circle, and Sphere (1932): a complex history of repainting unraveled

Fig. 1

Installation view of Calder: Hypermobility (Whitney Museum of American Art, New York, June 9th–October 23rd, 2017). Standing from left to right: Alexander Calder, Half-Circle, Quarter-Circle, and Sphere, 1932, 76 5/8 × 35 1/2 × 25 inches (194.6 × 90.2 × 63.5 cm), Whitney Museum of American Art, New York, purchase with funds from the Howard and Jean Lipman Foundation, Inc. 69.258; Alexander Calder, Whip Snake (Snake on the Post), 1944, Whitney Museum of American Art, New York, purchase with funds from the Howard and Jean Lipman Foundation, Inc. 70.3a–b; Alexander Calder, The Water Lily, c. 1945, Philadelphia Museum of Art, gift of Frances and Bayard Storey in memory of Anne d’Harnoncourt, 2013. Hanging from left to right: Alexander Calder, Hanging Spider, c. 1940, Whitney Museum of American Art, New York, Mrs. John B. Putnam Bequest 84.41; Alexander Calder, Red Sticks, c. 1943, Calder Foundation, New York. ©2017 Calder Foundation, New York/Artists Rights Society (ARS), New York, N.Y. Photograph Ron Amstutz

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