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Fig. 3 | Heritage Science

Fig. 3

From: An alternative approach to mapping pigments in paintings with hyperspectral reflectance image cubes using artificial intelligence

Fig. 3

Comparison of pigment labeled maps. a Color image of Master of the Dominican Effigies, Pentecost, about 1340, The J. Paul Getty Museum, Los Angeles, Ms. 80, verso. Digital image courtesy of the Getty’s Open Content Program. b Table of pigment labels for the truth map (refer to Additional file 1: Table S2) and the 1D-CNN map. c Truth pigment map. d 1D-CNN map

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