Fig. 3From: Mixing, dipping, and fixing: the experimental drawing techniques of Thomas GainsboroughNormal light (left) and UV (right) photographs of a detail from Landscape with Horse and Cart Descending a Hill (ca. 1780; III, 63), suggesting the presence of a deteriorated overall coating with a clean corner, at the upper left, possibly corresponding to the location where the work might have been held by Gainsborough when dipping it in a fixative bathBack to article page