Fig. 6
From: Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning
a Reading of the subdividing lines evidenced in the set-up of the arms on the violin (grey lines) and on the tenor (black lines), presented with a shift in order to ease the comparison; b Numbering of areas for the description of the coat of arms; c Proposed schematic reconstruction of the shields painted on the back of the two instruments