Fig. 4From: Analysis of pigments and damages for the 19th century White-robed Water-moon Avalokitesvara Painting in Gongju Magoksa Temple, Republic of KoreaPhotographs showing the representative damages of the studied painting. A Microcracks. B Separation. C Fragmentation. D Black contamination. E Blistering and exfoliation of the pigment layer. F Stereoscopic photographs of the exfoliation part on the pigment layers. G Deterioration of wooden frame after stripping the painting. H Residual pigments and cracks in the wooden frameBack to article page