Fig. 11From: The emergence of Liu Kang’s new painting style (1950–1958): a multi-analytical approach for the study of the artist’s painting materials and techniqueVIS and corresponding IR detail images of Kampong scene (a, b), and VIS detail image of Painting kampong (c). The arrows indicate the presence of the preparatory underdrawing (a, b) and scratched contour into the white ground (c)Back to article page