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Fig. 12 | Heritage Science

Fig. 12

From: The emergence of Liu Kang’s new painting style (1950–1958): a multi-analytical approach for the study of the artist’s painting materials and technique

Fig. 12

a SEM–EDS spectra of the blue paint from layer 6 of sample 12 extracted from Scene in Bali; b optical microscopy image of the cross-section of the sample; c corresponding ATR-FTIR spectra of the layer 6 with labelled marker peaks of manganese blue and reference spectra of the same pigment; d SEM–EDS spectra of dark, blue paint from layer 2 of sample 3 extracted from Painting kampong; e optical microscopy image of the cross-section of the sample; f corresponding ATR-FTIR spectra of the layer 2 with labelled marker peaks of phthalocyanine blue and reference spectra of the same pigment

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