Skip to main content
Fig. 14 | Heritage Science

Fig. 14

From: The emergence of Liu Kang’s new painting style (1950–1958): a multi-analytical approach for the study of the artist’s painting materials and technique

Fig. 14

a SEM–EDS spectra of the green paint of sample 4 extracted from Char Siew seller; b optical microscopy image of the cross-section of the sample; c corresponding ATR-FTIR spectra of the green paint with labelled marker peaks of phthalocyanine green and reference spectra of the same pigment; d SEM–EDS spectra of the green paint from layer 2 of sample 8 extracted from Kampong scene; e optical microscopy image of the cross-section of the sample; f corresponding ATR-FTIR spectra of the green paint with labelled marker peaks of zinc yellow and reference spectra of the same pigment

Back to article page