Fig. 14From: The emergence of Liu Kang’s new painting style (1950–1958): a multi-analytical approach for the study of the artist’s painting materials and techniquea SEM–EDS spectra of the green paint of sample 4 extracted from Char Siew seller; b optical microscopy image of the cross-section of the sample; c corresponding ATR-FTIR spectra of the green paint with labelled marker peaks of phthalocyanine green and reference spectra of the same pigment; d SEM–EDS spectra of the green paint from layer 2 of sample 8 extracted from Kampong scene; e optical microscopy image of the cross-section of the sample; f corresponding ATR-FTIR spectra of the green paint with labelled marker peaks of zinc yellow and reference spectra of the same pigmentBack to article page