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Fig. 2 | Heritage Science

Fig. 2

From: Key characterization efforts to support the graffiti ink removal and care of Mark Rothko’s painting ‘Black on Maroon’ 1958

Fig. 2

A The large cotton duck canvas was soiled with three ink levels; rectangular specimens were cut parallel to the two perpendicular fiber orientations. B This plain weave canvas has two adjacent (vertical) warp yarns perpendicular to a single thicker (horizontal) weft yarn in this enlarged (microscope) image. C Images of two representative canvas specimens, soiled with either light or heavy ink levels, approaching their tensile break strains (90° orientation). D Enlarged (microscope) image of the end of a sharply cut weft yarn (0.393-mm diameter) taken from the heavy-ink canvas

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