Author | Period | Description | References |
---|---|---|---|
Unknown author | Roman time | Use of many organic and inorganic blackish compounds such as lignite, bitumen, bituminous schists, graphite, pyrolusite and iron oxides. | [12] |
Pliny the Elder | 2nd c. A.D. | (…) “it is possible to obtain a black pigment from the earth”. | [13] |
Cennino Cennini | 15th c. A.D. | “Black is a black stone, soft and the color is fat; I found a stone coming from Piedmont good to draw”. | [14] |
Giorgio Vasari | 16th c. A.D. | A black earth called “terretta” (soft earth) which can be used a fresco painting is reported. | [15] |
Unknown French author | 1730 | “All earths and black stones can be used to paint a fresco and a secco”. | [16] |
Unknown Spanish author | 1766 | “Black earth comes from Germany, is a natural earth and the color is black-bluish”. | [17] |
Unknown German author | 1766 | “A black material which is light, similar to clay, earth, is used to draw; it is very easy to obtain a powder and, when washed, a black mud remains on the bottom”. | [18] |
Wallerio J. Gotschalk | 1778 | “Ochra nigra argillacea” (black ochre containing clay minerals). | [19] |
Mouchon | 1779 | “Venice black is good for fresco painting and better than the Rome black earth”. | [20] |
Don Antonio Palomino | 1795 | “Black earth, a mineral color, black, earthy, very important for fresco painting” | [21] |
Tilloch | 1803 | (…) “those earths called red, green, black or yellow are of an argillaceous-calcareous nature”. | [22] |