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Table 1 Citations concerning ‘black earth’ in historic written sources

From: Black earths from Veneto and Piedmont (Northern Italy): origin, composition and potential use in different painting techniques

Author

Period

Description

References

Unknown author

Roman time

Use of many organic and inorganic blackish compounds such as lignite, bitumen, bituminous schists, graphite, pyrolusite and iron oxides.

[12]

Pliny the Elder

2nd c. A.D.

(…) “it is possible to obtain a black pigment from the earth”.

[13]

Cennino Cennini

15th c. A.D.

“Black is a black stone, soft and the color is fat; I found a stone coming from Piedmont good to draw”.

[14]

Giorgio Vasari

16th c. A.D.

A black earth called “terretta” (soft earth) which can be used a fresco painting is reported.

[15]

Unknown French author

1730

“All earths and black stones can be used to paint a fresco and a secco”.

[16]

Unknown Spanish author

1766

“Black earth comes from Germany, is a natural earth and the color is black-bluish”.

[17]

Unknown German author

1766

“A black material which is light, similar to clay, earth, is used to draw; it is very easy to obtain a powder and, when washed, a black mud remains on the bottom”.

[18]

Wallerio J. Gotschalk

1778

Ochra nigra argillacea” (black ochre containing clay minerals).

[19]

Mouchon

1779

“Venice black is good for fresco painting and better than the Rome black earth”.

[20]

Don Antonio Palomino

1795

“Black earth, a mineral color, black, earthy, very important for fresco painting”

[21]

Tilloch

1803

(…) “those earths called red, green, black or yellow are of an argillaceous-calcareous nature”.

[22]