From: The authentication and repatriation of a ceremonial tsantsa to its country of origin (Ecuador)
Category | Criteria | References | Assessment |
---|---|---|---|
Skin, 1 | Darkened skin color as a result of the shrinking process (Brown, Black, mahogany) | Yes, lighter coloration where there has been contact | |
Skin, 2 | Skin is thick and possesses leathery texture at the neck opening | Charlier et al. [12] | Yes |
Skin, 3 | No facial painting or artistic/ethnic scarring; Several horizontal red bands of achiote may be painted, but these can fade over time | Yes; no such painting | |
Skin, 4 | Skin is polished. skin in the surrounding cheek area being smooth with no facial down present, Epidermal degeneration across prominent regions of face (may require IRR) | Yes | |
Skin, 5 | Skins tend to be dense and of considerable weight | Houlton and Wilkinson [2] | Yes |
Structure and facial anatomy, 6 | Conserved anatomical details of the ear | Yes (Fig. 1) | |
Structure and facial anatomy, 7 | No skull bones or bone fragments remain | Charlier et al. [12] | Yes |
Structure and facial anatomy, 8 | Head size no bigger than a clenched adult human fist | INPC; Houlton and Wilkinson [2] | Yes |
Structure and facial anatomy, 9 | Although nose and ears do not shrink due to the presence of the cartilage, they are proportional to the rest of the head | INPC; Houlton and Wilkinson [2] | Yes |
Structure and facial anatomy, 10 | Head shape remains with no bones or other external support structures | INPC | Yes |
Structure and facial anatomy, 11 | Eyelids are tightly drawn into the head, tightly closed, and possibly sutured shut from the inside | No | |
Structure and facial anatomy, 12 | Oval shape of the neck in cross-section and/or lateral compression of the head; Results in a narrow head, often presenting a pinched impression at the temples | Yes, lateral compression of head with pinched temples (Fig. 2). Roughly oval neck, distorted by mounting | |
Structure and facial anatomy, 13 | Common distortions include the forced extension of the mouth, with distended lips creating a receding chin and an elongated profile | Houlton and Wilkinson [2] | Yes |
Structure and facial anatomy, 14 | Long narrow face, sloping brow, upturned and spread nose with superiorly pointed nostrils | Houlton and Wilkinson [2] | Yes |
Structure and facial anatomy, 15 | Separation of the papillary and reticulated layer of the dermis | Houlton and Wilkinson [2] | No |
Evidence of traditional Fabrication, 16 | Sets of three vertically aligned corresponding holes behind both the upper and lower lips. Possible wooden pegs or vegetal fibers retained in the lips (at a length equal to the scalp hair) | Yes, mouth slightly opened | |
Evidence of traditional Fabrication, 17 | Loop of wooden vine or fiber sewn into the neck, or traces of suturing and/or sawing present; Necks without supporting neck ring possess a smooth and even edge | Margin of neck has traces of cutting/sawing | |
Evidence of traditional Fabrication, 18 | Neck and head tissues sewn together with fiber stitches on back of head; Sutures are often wide and uneven | Yes | |
Evidence of traditional Fabrication, 19 | Over and over stitch used | Houlton and Wilkinson [2] | No |
Evidence of traditional Fabrication, 20 | Long suspension cord overhanging from the top of the head or related hole (CT-Scan only) | Yes | |
Evidence of traditional Fabrication, 21 | Complete filling of head cavities by sand and/or charcoals during processing | Charlier et al. [12] | Yes, evenly shrunken head. Possible evidence of charcoal found on newspaper |
Evidence of traditional Fabrication, 22 | Head cut begins where the neck starts, beside the collarbone or as close to trunk as possible | INPC; Charlier et al. [12] | Yes |
Evidence of traditional Fabrication, 23 | Base of the neck presented as flush | Houlton and Wilkinson [2] | Rough due to poor preservation, but mostly flush |
Evidence of traditional Fabrication, 24 | Evidence of traditional manufacture process and techniques (cutting, puncturing, sewing, bone removal, scalping, scraping, shrinking, etc.) | INPC | Yes |
Evidence of traditional Fabrication, 25 | Possible pierced ears (decorated or undecorated); not all tsantsas have pierced ears | No; no hole present | |
Evidence of traditional Fabrication, 26 | Limited evidence of conservation and preservation materials | Houlton and Wilkinson [2] | Noted; all conservation efforts traced to the US |
Hair, 27 | Profusion of hairs in the nostrils | Charlier et al. [12] | Hair Visible |
Hair, 28 | Long dark scalp hairs (or hairs which have been cut years after the shrinking process) | Yes | |
Hair, 29 | Facial down removed (vellus, downy) | Yes, on sides of cheeks only | |
Hair, 30 | Distinctive long hairstyle cut in three tiers | Houlton and Wilkinson [2] | Yes |
Hair, 31 | Minor to no nit infestation | Houlton and Wilkinson [2] | Nits present |
Hair, 32 | No facial hair -or- facial hair presents, active attempts to remove are identifiable | Houlton and Wilkinson [2] | Yes, through smoothing |
Hair, 33 | Head is of human origin | INPC | Likely human tissue, confirmed hair and skin |