Fig. 16From: The emergence of Liu Kang’s new painting style (1950–1958): a multi-analytical approach for the study of the artist’s painting materials and techniquea ATR-FTIR spectra of the red paint of sample 7 extracted from Boats with labelled marker peaks of organic red and reference spectra of eosin Y; b ATR-FTIR spectra of the red paint of sample 3 extracted from Char Siew seller with labelled marker peaks of organic red and reference spectra of naphthol red AS-D; c ATR-FTIR spectra of the red paint of sample 10 extracted from Kampong scene with labelled marker peaks of organic red and reference spectra of synthetic alizarin lakeBack to article page