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Fig. 1 | Heritage Science

Fig. 1

From: Use of standard analytical tools to detect small amounts of smalt in the presence of ultramarine as observed in 15th-century Venetian illuminated manuscripts

Fig. 1

Illuminated manuscript fragments analyzed, all attributed to the Master of the Murano Gradual. a Fitzwilliam Museum, Dormition of the Virgin, Marlay cutting It. 18, 30.5 × 32 cm, the illumination that prompted this examination; b The J. Paul Getty Museum, Saint Jerome Extracting a Thorn from a Lion's Paw, Ms. 106 (2010.21) recto, 21 × 16.5 cm; c The J. Paul Getty Museum, Initial G: Saint Blaise, Ms. 73 (2003.87) recto, 15.7 × 12 cm; d The National Gallery of Art, Washington D.C., Saint Lawrence (Initial D from a Choir Book (Gradual)), 1948.11.12, 14.9 × 12.5 cm; e Burke collection, Initial O with a Camaldolese Saint, M2223.28, 15.0 × 12.7 cm; f McCarthy collection, Initial G with The Nativity of the Virgin Mary, 16569/BM1201, 19.4 × 12.6 cm

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