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Table 1 The composition of the most recent paint layers of the Bodhidharma statue based on cross-section and multi-analytical investigations

From: Digital technology virtual restoration of the colours and textures of polychrome Bodhidharma statue from the Lingyan Temple, Shandong, China

Samples

No.

The area represented by the samples

Pigments composition

Thickness of pigment layers/μm

Pigments size (average diameter/μm)

D1-2

Reddish-brown skin areas

Hematite + red lead (1:1.2)

110

8

D1-4

Collar, checks on the cassock, and orange-red pedestal areas

Red lead

45

20

D1-6

Collar red area

Cinnabar

30

7

D1-7

Collar embossed painting and gilding area

Gold foil

2

-

D1-8

The pink areas in the clothes inside

Red ochre + chalk (1:4.5)

40

7

D1-9

The embossed painting and gilding areas of the cuff, the edge of the garment, and the checks on the cassock

Gold foil

2

-

D1-10

Blue patterns on the chest and blue flowers on the surface of the cassock

Artificial ultramarine blue

-

5

D1-11

Pedestal edge black area

Lamp black

35

 < 1

D1-12

Pedestal reddish-brown area

Red lead

120

13

D1-13

The red areas on the right sleeve and the checks on the cassock

Cinnabar

30

8

D1-14

Cuff yellow area and clothes surface yellow flowers

Chalk + Chrome yellow (1:1.2)

70

17

D1-15

The green areas of sleeves outside and checks on the cassock

Emerald green

570

25

D1-16

The bottom step area of the pedestal

Rhodamine B ( Original is ochre)

50

8

D1-17

The white pattern area on the chest

Chalk

290

16

D1-18

Cassock surface blue-green flowers

Lavendula (Degradation product of emerald green)

75

20

D1-19

Black cassock

Lamp black

50

 < 1