Fig. 2From: Acquisition strategies for in-situ hyperspectral imaging of stained-glass windows: case studies from the Swiss National Museuma, b Schematics of the set-up for the stained-glass panels exhibited in the inner wall: 1) hyperspectral camera; 2) stained-glass panel; 3) wall; 4) historical glass; 5) diffusing fabric; 6) light source. c, d Pictures of the setup in use during the campaignBack to article page