Fig. 2From: The identification, approaches to cleaning and removal of a lead-rich salt crust from the surface of an 18th century oil paintingA The painting after varnish removal; B Detail photograph of the edge of the painting showing varnish accumulation, the unadulterated border and the visual effect that the crust had on the painting; C Detail photograph of the prominence of the crust in lighter colours; D Photomicrograph showing the crust pooled in the valley of the paint islandsBack to article page