Skip to main content

Table 3 Interpretation of the results achieved through the multi-analytical characterisation performed on the samples

From: A study of cadmium yellow paints from Joan Miró’s paintings and studio materials preserved at the Fundació Miró Mallorca

Sample name

Interpretation

Artworks

A2

Poorly crystalline Cd1−xZnxS (x << 1), oil binder, degradation products/compounds due to oil/pigment interaction/additives: sulfates, carboxylates, oxalates

A7

Poorly crystalline Cd1−xZnxS (x << 1), oil binder, degradation products/compounds due to oil/pigment interaction/additives: sulfates, carboxylates

A9

Poorly crystalline CdS, oil binder, degradation products: sulfates

Oil paint tubes

A3

Crystalline CdS, oil binder, magnesium carbonate additive

A5

Poorly crystalline Cd1−xZnxS (x << 1), oil binder, degradation products/compounds due to oil/pigment interaction/additives: sulfates, carboxylates

A6

Crystalline CdS, oil binder, magnesium carbonate additive, compounds due to oil/pigment interaction: oxalates

Artist palettes

A1

Poorly crystalline Cd1−xZnxS (x << 1), oil binder, degradation products/compounds due to oil/pigment interaction/additives: sulfates, carboxylates, oxalates

A4

Poorly crystalline Cd1−xZnxS (x << 1), oil binder, degradation products/compounds due to oil/pigment interaction/additives: sulfates, carboxylates

A12

Poorly crystalline Cd1−xZnxS (x << 1), oil binder, degradation products/compounds due to oil/pigment interaction/additives: sulfates, carboxylates, oxalates