Fig. 3From: An investigation of Bellini’s Transfiguration in the Capodimonte museum by means of XRF and visible reflectance hyperspectral imaging: Bellini’s handling of materials in the head and figure of the transfigured ChristDetail of the landscape, with the pre-figuration of the Cross, and the tiny blue flowers painted with ‘celestial’ lapis-lazuliBack to article page