Analyzing chemical changes in verdigris pictorial specimens upon bacteria and fungi biodeterioration using voltammetry of microparticles
© The Author(s) 2017
Received: 6 October 2016
Accepted: 2 February 2017
Published: 27 February 2017
The growth of microorganisms is one of the major concerns in all museums worldwide due to the aesthetical and structural damage that it may cause. Artistic paintings are constituted of a wide range of organic and inorganic materials; most of these components are biodegradable. The analysis of biodeterioration processes affecting pictorial works of art is complicated by the fact that the action of microorganisms can affect both pigments and binding media. Since to nowadays, art treatises have detailed descriptions of these materials that many microorganisms may utilize for growth such as polysaccharides, proteins, oils, waxes, etc. [1, 2].
In this context, the study of biodeterioration of pigment-containing paint films is of interest because of the changes induced in the visual appearance of the painting, but also by its effect in its long-term preservation due to the loss of chemical and mechanical stability . In fact, pigments can act as inhibitors or catalysts in the drying of oils [2, 4, 5], whereas fatty acids released from hydrolysis of triglycerides can form metal soaps with metal ions from some pigments [6–11] which can migrate through the semi-permeable paint system to the paint surface where they are mineralized and aggregate forming protrusions [7, 8].
In presence of microorganisms, plant gums, proteinaceous media and drying oils mainly undergo hydrolysis, which often is followed by oxidation processes. Additionally, crosslinking, condensation, and dehydration of amino acids can take place as consequence of microbial action or environmental agents . Environmental deterioration of oil paint films can be also due to crosslinking reactions, oxidation of unsaturated acids and hydrolysis of glyceride bonds releasing free fatty acids, which can complex pigments forming metal soaps . These processes can be accompanied by changes in the chemical composition and morphology of the pigments that can act as catalysts or react with the byproducts that result from the biodeterioration of the organic binders.
Although organic supports of paintings such as panels or canvas are more sensitive to the microbial colonization, paint layers composed of proteinaceous or polysaccharide binding media can be also the target of a variety of microorganisms. In particular, growing of microorganisms in paint layers in which verdigris was used has been observed in ancient pictorial artworks such as the Cinctorres Altarpiece (anonymous, fourteenth century, Cinctorres, Spain). Examination by FESEM enabled the identification of fungus spores located on the crack and pores formed in the surface of the painting. A number of based electron microscopy, spectroscopic and chromatographic techniques enable the study of the changes undergone by the binders under biological attack; however, the study of the minimal modifications often occurring in the pigment are difficult and analytical techniques highly selective and sensitive are required. Voltammetry of microparticles (VMP), a solid state electrochemistry technique developed by Scholz et al.  is highly sensitive to the electrochemical response of graphite electrodes modified with microparticulated samples of paint. Voltammetric profiles are not only sensitive to the pigment but also to other materials present in the sample, binding media in particular. Among a variety of materials [14, 15], this technique has been extensively applied in the field of conservation and restoration, as recently reviewed [16, 17]. In a previous report , we described the application of this methodology to characterize the biological attack of different species of bacteria and fungi to reconstructed egg tempera and egg–linseed oil emulsion paint films containing cadmium yellow (CdS). In the current report, we present a voltammetric study on the biological attack of a set of bacteria and fungi species to reconstructed paint films containing verdigris as a pigment aimed to assess the possibility of determining specific responses for the different types of biodegradation. The simplicity and versatility of the technique makes it potentially interesting for the study of biodeterioration of paintings. The pigment verdigris is particularly interesting because of (i) its frequent use in painting until the 19th  and (ii) its anti-fungal properties .
The voltammetric response of verdigris, which was previously used for identification purposes , was studied here in a series of reconstructed egg tempera and egg–linseed oil emulsion paint films submitted to biological attack with different fungi (Acremonium chrysogenum, Aspergillus niger, Mucor roxii, Penicillium chrysogenum, and Trichoderma pseudokoningii) and bacteria (Arthrobacter oxydans, Bacillus amyloliquefaciens, and Streptomyces cellulofans) typically involved in paint deterioration [22–30] and compared with the response of CdS-based films. Voltammetric data have been complemented with attenuated total reflectance-Fourier transform infrared spectroscopy (ATR-FTIR) in order to gain information on the modification of chemical bonds of the binder upon biological attack and the formation of copper complexes. Field emission scanning electron microscopy (FESEM) was used for the examination of the prepared specimens. This technique, which provides enhanced resolution relative to conventional electron microscopy, was devoted to investigate the morphological changes occurred in the films during the biodeterioration.
Electrochemical experiments were performed at 298 K in a three-electrode cell under argon atmosphere using a CH I660C device (Cambria Scientific, Llwynhendy, Llanelli UK). A platinum wire counter-electrode and an Ag/AgCl (3 M NaCl) reference electrode completed the three-electrode arrangement.
0.25 M sodium acetate buffer (Panreac) at pH 4.75 was used as a supporting electrolyte. Cyclic voltammograms (CVs) were obtained using abrasive VMP protocols. Importantly, the electrolyte solution was renewed after each electrochemical run to avoid contamination due to cadmium ions eventually released to the solution phase during electrochemical turnovers. Commercial paraffin-impregnated graphite bars of (Staedtler 200 HB type, 68% wt graphite, diameter 2 mm) were used. Prior to the series of runs for each material or sample, a conditioning protocol was used to increase repeatability. The electrode surface was polished with alumina, rinsed with water and polished by pressing over paper. For electrode modification, an amount of 1–2 mg of the sample was extended on an agate mortar forming a spot of finely distributed material. Then the lower end of the graphite electrode was gently rubbed over that spot of sample and finally rinsed with water to remove ill-adhered particles. Sample-modified graphite bars were then dipped into the electrochemical cell so that only the lower end of the electrode was in contact with the electrolyte solution. This procedure provides an almost constant electrode area and reproducible background currents.
The IR spectra in the ATR mode of the powdered samples were obtained using a Vertex 70 Fourier-transform infrared spectrometer with an FR-DTGS (fast recovery deuterated triglycine sulphate) temperature-stabilised coated detector and a MKII Golden Gate Attenuated Total Reflectance (ATR) accessory. A total of 32 scans were collected at a resolution of 4 cm−1 and the spectra were processed using the OPUS/IR software.
Field emission scanning electron microscopy (FSEM). Secondary electron images were obtained using a Zeiss model ULTRA 55 operating with a Oxford-X Max X-ray microanalysis system controlled by Inca software. The analytical conditions were: 1 kV accelerating voltage. Samples were directly observed in order to avoid interference with the particulate structure of the coating element used for eliminating charging effects.
Reference materials and test specimens
Cold pressed linseed oil, verdigris [synthetic copper(II) acetate, Kremer] and fresh hen’s egg were used as reference materials for preparing the series of paint films. Reconstructed egg tempera paint films (EG) were prepared by mixing the pigment with the appropriate amount of egg until suitable consistence (30% weight composition of pigment); and spreading this product on glass slides in order to form a thin film. The paint films were dried at room temperature during 4 weeks (21 °C, 50% RH). Thickness of the films was in the range 0.3–0.5 mm. Reconstructed egg–linseed oil emulsion paint films (EO) were prepared by mixing the pigment with the appropriate amount of an egg–linseed oil emulsion (1:1) (35% weight composition of pigment). The reconstructed paint films were dried at room temperature during 4 weeks (21 °C, 50% RH). Thickness of the films was in the range 0.3–0.5 mm.
Microorganisms and cultures
Bacterial and fungal strains, obtained from the Spanish Collection of Type Cultures (CECT, Colección Española de Cultivos Tipo, Universidad de Valencia, Valencia, Spain), were chosen because they have been frequently found in biodeterioration studies of cultural heritage [22–30]. The selected fungi were: Acremonium chrysogenum (Ac) (CECT 2718, ATCC 14615), Aspergillus niger (An) (CECT 2088, ATCC 9029), Mucor rouxii (Mr) (CECT 2655, ATCC 24905), Penicillium chrysogenum (Pc) (CECT 2306, ATCC 8537) and Trychoderma pseudokoningii (Tp) (CECT 2937). The selected bacteria were: Arthrobacter oxydans (Ao) (CECT 386, ATCC 14358), Bacillus amyloliquefaciens (Ba) (CECT 493, ATCC 23842) and Streptomyces cellulofans (Sc) (CECT 3242, ATCC 29806).
Bacteria were grown on culture plates of Trypticase Soy Agar (TSA, Scharlau) medium and were incubated at 28 °C for 24 h. Cultures were re-suspended in 2 mL of 0.1% Tween 80 solution (Aldrich). After centrifugation carried out for removing possible remains of the solid culture medium, bacterial suspensions were adjusted to 107 cells mL−1. To obtain fungal spores, fungi were grown on Potato Dextrose Agar (PDA, Scharlau, Barcelona, Spain) over a total period of 1 week at 28 °C and spores were collected by washing the solid culture with 0.1%. Tween 80 solution and filtering through sterile glass wool. The resulting suspensions of spores were centrifuged three times and the supernatants were discarded in order to avoid any residue from the culture medium or rest of mycelia. Finally, spores were re-suspended in 1 mL ultrapure water and spores suspensions were adjusted to 105–106 spores mL−1.
Inoculation and incubation of paint specimens
Results and discussion
The amide II band is found in the 1480–1580 cm−1 region and derives mainly from in-plane N–H bending accompanied of C–N and C–C stretching vibrations . A notable increase in the intensity of this band is observed in the IR spectra of both specimens containing pigment if they are compared with that of pure egg. Maximum at 1531 cm−1 (β-sheet conformations) is blueshifted to 1543 and 1552 cm−1 (helical conformations)  in EG@BLANK and EO@BLANK, respectively. In addition, shoulders at 1557, 1572 and 1585 cm−1 are also identified in their second derivative spectra. These features can be directly correlated with the interaction of the pigment with both the lipid and proteinaceous components of the binders. Shoulder at 1585 cm−1 has been related to the formation of complexes of Cu(II) with free fatty acids released from triacylglycerols and phospholipids in linseed oil and egg yolk [6, 10]. Asymmetric stretching vibration due to the coordination of the carboxylic residues (glutamic and aspartic acid) in the protein molecules with divalent ions, according with data reported in literature, also occurs in the range 1590–1551 cm−1 [35, 36]. In addition, several studies are found in literature concerning the compounds that can be formed between copper ions and proteinaceous materials in which is described the ability of copper ions for coordinating with the carboxylic groups present in the side chains of the protein macromolecules thus facilitating the decarboxylation of proteins [37, 38] and the release of glutamic and aspartic acid .
A notable decrease in the shoulder appearing in the range 1700–1720 cm−1 in the egg specimen is observed in both EG@BLANK and EO@BLANK specimens. This band is ascribed to the stretching vibrations of the carboxylic groups from free fatty acids that should be released from the lipids and phospholipids of egg and linseed oil as result of hydrolysis processes. The reduction in the intensity of this IR band can be directly correlated with the increase in the intensity of the IR band associated with the copper-protein complexes and copper soaps.
As a prior step, presence of unremoved rests of biological materials (fungi or bacteria biomass consisting of spores, endospores, vegetative or degraded cell walls, mycelia, conidia etc.), which could interfere the identification of alteration processes occurring in the binding media or verdigris pigment was checked from the IR spectra obtained from samples excised in the inoculated paint specimens. According to literature [40, 41], IR spectra obtained in pure fungal materials in the high spatial frequency region are dominated by bands originated from the stretching vibrations of –OH and –NH groups of proteins and the stretching vibrations of methyl and methylene groups of lipids. In the fingerprint region (1800–500 cm−1) the IR spectra are dominated by the strong carbohydrate band at 1064 cm−1 and the amide I and amide II bands at ca. 1635–38 and 1540–46 cm−1, respectively. Moderate band at 1450 cm−1 ascribed to the to asymmetric bending of CH3 groups in proteins is also observed together with moderate–weak bands at 1237 and 1082 cm−1 associated with stretching vibrations of PO2 − group of phospholipids . Characteristic band at 1600 cm−1 is sometimes recognized, which is associated with low-molecular-weight organic compounds due to fungal metabolites and decomposition of cell walls of dead fungi . Occurrence of these same IR bands ascribed to proteins, lipids and phospholipids in egg hinders the use of the above mentioned IR bands for identifying rests of biological material on the paint films. Nevertheless, strong band at 1064 cm−1 from carbohydrates is a satisfactory marker able to be used to detect the presence of rest of fungal biomass deposited on the surface of the paint films. Analogous situation takes place with bacteria, which exhibit IR spectra dominated by bands of polysaccharides, proteins, lipids and phospholipids. However, characteristic features at 1456 and 783 cm−1 of bacterial endospores associated to the pyridine-2,6-dicarboxylic [dipicolinic acid (DPA)] can be used for identifying the presence of rests of bacterial materials together with the polysaccharide bands [42, 43].
The egg tempera of the two paint film specimens inoculated with the actinobacteria Streptomyces cellulofans and Arthrobacter oxydans exhibited different behaviour. In EG@Sc (see Fig. 8a) maximum of the amide I band was found at 1637 cm−1. This sub-band has been frequently associated to the more open random coil conformation. Secondary maxima at 1648 and 1628 cm−1, which are associated to α-helix and β-sheet conformations, respectively, were also present in this IR spectrum. In contrast, β-sheet conformation was prevalent in EG@Ao and thus, this specimen exhibited slight increase in the relative intensity of the β-sheet to α-helix sub-bands relative to the uninoculated film. A blueshift of the prevalent β-sheet sub-band to 1632 cm−1 together with a new secondary maximum at 1640 cm−1, ascribed to random coils, were the more remarkable features exhibited by the binding medium of the paint film inoculated with the eubacteria Bacillus amyloliquefaciens. The three specimens inoculated with bacteria showed weak shoulder of Cu-carboxylate complexes at 1585 cm−1.
The inoculated egg–oil emulsion paint films, similarly to the uninoculated specimen, exhibited characteristic C=O stretching band at 1700–1705 cm−1 ascribed to free fatty acids that denote that hydrolysis of lipids has taken place at some extent. The paint film inoculated with Trychoderma pseudokoningii (see EO@Tp in Fig. 8b) presented a IR spectrum close to that of the blank specimen with maximum of α-helix conformation at 1648 cm−1 and β-sheet sub-band overlapped by the plateau appearing at 1595–1585 cm−1 ascribed to the carboxylate stretching band from verdigris and Cu-carboxylate complexes. IR spectra obtained in paint films inoculated with Mucor rouxii, Acremonium chrysogenum and Aspergillus niger (see EO@An in Fig. 8b) exhibited discernible maximum of β-sheet sub-band at 1621 cm−1. Shoulder at 1585 cm−1 ascribed to Cu-carboxylate complexes with fatty acids and amino acids was recognizable in the profile of the amide II band. Amide I band was well-resolved in the IR spectrum of the paint film inoculated with Penicillium chrysogenum with maximum in the β-sheet region at 1630 cm−1 accompanied with weak features characteristic of Cu-carboxylates.
Similarly to that found for egg tempera specimens, the egg oil emulsion of the two paint film specimens inoculated with the actinobacteria Streptomyces cellulofans and Arthrobacter oxydans exhibited different behaviour. EO@Ao showed a well resolved amide I band with maximum in the β-sheet region at 1628 cm−1 (see EO@Ao in Fig. 8b) accompanied of α-helix secondary maximum at 1648 cm−1 [44, 45]. Cu-carboxylate complexes and verdigris bands were completely overlapped with amide II band. In contrast, EO@Sc showed an IR spectrum quite similar to that of the EO@Ba corresponding to the eubacteria Bacillus amyloliquefaciens and close to that of the uninoculated specimen.
The peak splitting appearing in the signal A1 can be attributed to the superposition of the oxidation processes of different deposits of metallic copper, a frequent feature in the voltammetry of copper, lead, and mercury minerals [46–49]. The formation of different copper deposits results from the superposition of different reductive process so that the process described by Eq. (1) can proceed via topotactic conversion of copper acetate into Cu, as described for several lead compounds [50, 51] but also involving intermediate species in solution . In turn, the cathodic process C2 can be assigned to the reduction of some Cu aq 2+ ions generated during the precedent reductive step C1 at the Cu-plated electrode.
The voltammetric response of un-inoculated verdigris egg tempera paint film (EO@BLANK) exhibited significant variations relative to that of the pure pigment. As can be seen in Fig. 9c, in the initial cathodic scan CVs, the peak C1 became lowered relative to the signal C2 which was preceded by an additional cathodic signal at ca. −0.35 V (C3). These features were also recorded in the initial anodic scan CVs (Fig. 9d) where one can see that the group of oxidative signals A1 only appears after the occurrence of the reductive process C1. Interestingly, upon repetitive cycling the potential scan, the cathodic current at ca. −1.0 V, attributable to proton discharge, was considerably enhanced, a phenomenon which can be due to the catalytic effect exerted by the formation of relatively gross deposits of metallic copper. Another peculiar feature of verdigris containing paint films was the appearance of a weak anodic signal at ca. −0.45 V (A2). This signal can be attributed, tentatively, to the oxidation of intermediate Cu(I) species, stabilized by interaction with the binding media, generated during the cathodic process C2. The voltammetry of un-inoculated verdigris egg–oil emulsion paint film (EG@BLANK, Fig. 10) was similar to that of the pure pigment, the peak C3 at −0.35 V being almost entirely absent, but differing in the presence of peak A2 and the absence of important peak splitting in the anodic signal A1.
VMP testing of biodeterioration
The voltammetric features appearing after biological attack can be attributed to the superposition of two main factors: (i) the degradation of the binder resulting in an increased exposition of the verdigris particles favoring the process C1, and (ii) the increase of the ionomeric layer of Cu(II)-binding compounds, thus increasing the intensity of the peak C3, promoting the appearance of a new signal C4, and retaining ‘free’ Cu2+ ions generated in the reductive step C1 with the concomitant decrease of peak C2. It is pertinent to note that, under our experimental conditions, the possible voltammetric response of electroactive metabolites in biofilm residuals and their occasional complexes with released copper ions should be considerably weaker than that of pigment-based species.
Interestingly, the formation of copper soaps (denoted by the shoulder C5) was a common factor for the attack of both fungi and bacteria to EO films, whereas the degradation of the proteinaceous fraction of the binder (denoted by peaks C3, C4) varied significantly from one species to another, being minimal in the case of Arthrobacter oxydans (compare Fig. 12a–c with Fig. 13d). This result is coherent with the IR spectrum obtained in this specimen that exhibited an intense and well-resolved amide I band.
A similar, unclear situation was obtained in the representation for the ratio between peak currents of the two main components of the anodic signal A1, i p(A1′)/i p(A1′′) vs. the (i p(C3) + i p(C4))/i p(C1) ratio for reconstructed verdigris egg tempera paint films after inoculation with biological species in this study (Fig. 14b). The i p(A1′)/i p(A1′′) ratio can be taken as representative of the fraction of exposed verdigris grains relative to the pigment altered as a result of the biological attack. Although the majority of data points in Fig. 14b are grouped in a relatively small region, Aspergillus niger falls in a clearly separated region (different behaviour was also observed in the IR spectrum of this specimen). These features suggest that there are highly specific behaviors relative to the biological attack. Such differences can be associated to the specificity of the sensibility of the biological agents to the biocide effect due to verdigris. It is known that copper salts act as relatively non-specific bactericide and fungicide  the cupric ion being the active species. The mode of action, after absorption into the fungus or bacterium, involves bonding to various chemical groups (imidazoles, phosphates, sulfhydryls, hydroxyls) presented in many proteins and disrupt the function of these proteins and enzymes, resulting cell damage and membrane leakage . According to data in Fig. 14, Acremonium chrysogenum would be highly sensitive to that effect.
In these circumstances, the attack of both fungi and bacteria was apparently similar in verdigris-based paint films, a feature in contrast with the behavior of CdS-based EG and EO paint films, where bacteria attack was concentrated on the most abundant oil fraction of the binding medium and fungi attack was concentrated on the proteinaceous fraction . In view of the recognized antifungal effect of cadmium compounds [61–64], a possible explanation for the differences in the biological attack associated to the different pigments would be, in line with the foregoing set of considerations, the possible lower release of Cd2+ ions from CdS relative to the release of Cu2+ ions from verdigris, the different transport ability of such ions in egg and egg–linseed oil films , and the possible major specificity of the Cd2+ toxic effects relative to those of Cu2+, these last recognized as highly unspecific [61–64, 66]. For our purposes, the relevant point to emphasize is that the biodegradation of paintings can be notably influenced in both the extent and the specificity of the biological attack by the nature of the pigment.
The application of the voltammetry of microparticles (VMP) methodology leads to obtain characteristic voltammetric features for verdigris pigment in pictorial specimens combining verdigris and cadmium yellow with egg and egg–linseed oil binders by Penicillium chrysogenum, Aspergillus niger, Acremonium chrysogenum, Trychoderma pseudokoningi and Mucor rouxii fungi and Bacillus amyloliquefaciens, Arthrobacter oxydans and Streptomyces cellulofans. In contact with aqueous acetate buffer, VMP data denote that in presence of the binder, the voltammetric signals for verdigris in egg and egg–linseed oil binders become modified with appearance of specific signals resulting from the pigment-binder association. Depending on the binder; such signals become more or less modified after biodeterioration.
VMP data, supported by ATR-FTIR and FESEM data, suggest that the attack of fungi and bacteria on reconstructed paint films produces significant modifications in the secondary structure of proteins accompanied by release of Cu(II) ions, the latter enabling the formation of coordination species with carboxylic groups in the side chains of the protein molecules and released fatty acids which results in specific voltammetric features.
Voltammetric data indicate that there is no generic differences in the attack exerted by fungi and bacteria on reconstructed verdigris egg–linseed oil emulsion paint films whereas in the case of reconstructed egg paint films some individual species produced high (Aspergillus niger) and low (Acremonium chrysogenum) deterioration. These peculiar behaviors can be tentatively attributed to the combination of two factors: (i) the existence of individual high/low resistances to the biocide effect of the pigment, and (ii) the hydrophobicity of the oil fraction which made difficult the migration of Cu2+ ions presumably responsible for the biocide effect.
These results support the idea that biodeterioration of pictorial specimens is significantly sensitive to the nature of the pigment and can be electrochemically monitored using solid-state methodologies, as the proposed methodology of potential application for the micro-biological attack characterization.
AOM participated in the research design, prepared pictorial specimens and performed voltammetric analysis; ADC participated in the design and coordination of the study and modeled electrochemical data; MTDC participated in the design and coordination of the study and interpreted infrared and SEM data; LOC performed SEM and FTIR analysis and participated in data interpretation; FBG participated in the design and planning of the biodeterioration experiments; IMS prepared bacteria and fungi stains and performed inoculations. All authors read and approved the final manuscript.
This work as been performed by members of the microcluster Grupo de análisis científico de bienes culturales y patrimoniales y estudios de ciencia de la conservación (Ref. 1362) belonging to the Valencia International Campus of Excellence. Financial support is gratefully acknowledged from the Spanish “I+D+I MINECO” projects CTQ2014-53736-C3-1-P and CTQ2014-53736-C3-2-P supported by ERDF funds.
All authors declare that they have no competing interests.
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